XM Series

Monoblocks, minus the furniture problem.

A pair of half-width monoblocks with a fully DC-coupled signal path, cascode circuitry and Toshiba bipolar output transistors. Side by side they occupy the width of one full-size amplifier. Designed and built in Lancing, West Sussex.

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XM Series

Monoblocks without the rack penalty.

A chassis and a supply per channel is normally something you pay for in shelf space as well as money. At 218 mm each, the XM9 pair takes the width two full-size boxes would have needed for one channel apiece. Put an XM7 in front and the system is complete; move up later and the 3510 monoblocks are the same argument with more current.
  1. XMHalf-width separates. Phono, integrated, pre, mono, headphone, CD.You are here
  2. 2510Full-width. Seventy-five watts, with an MM phono stage as standard.
  3. 3510The complete tier. Integrated, pre, stereo power, monoblocks and CD.
  4. 5510The current flagship. One hundred and twenty watts, black only.

Within this tier

  1. Integrated
  2. Pre
  3. Phono
  4. Monoblocks
  5. Headphone
  6. CD

Shelf plan

Half the width. Deeper than it looks.

Exposure XM9 Mono Power Amplifiers (Pair) 218 × 90 × 348 mm, 5 kg This model
Full-width chassis 440 × 115 × 315 mm, 12 kgThe 2510, 3510 and 5510 boxes, for comparison.

Drawn to scale, viewed from above. Two half-width boxes sit side by side in the space of one full-width chassis β€” but check your depth, these run deeper than they are wide.

Technical specifications
Power output80 W per channel into 8 Ξ© @ 1 kHz
Total harmonic distortion<0.005% @ 1 kHz, rated power
Frequency response20 Hz – 20 kHz Β±0.5 dB
Signal-to-noise ratio>95 dB unbalanced, ref. 1 kHz and rated output
GainΓ—16 (+24 dB) @ 1 kHz, unbalanced
Input sensitivity1.6 V RMS unbalanced, ref. 1 kHz and rated output
Input impedance>77 kΞ© unbalanced
Speaker terminals4 mm banana plugs only β€” no bare wire or spade lugs
Power consumption<200 W
Dimensions and weight, each218 Γ— 90 Γ— 348 mm (W Γ— H Γ— D), 5 kg net / 6 kg gross
Are they sold as a pair?
Yes, the price is for two β€” one per channel. Each is 218 mm wide, so the pair side by side occupies almost exactly the width of one 440 mm full-size amplifier. Monoblocks without the rack penalty that usually comes with them.
Eighty watts from a half-width box?
Each monoblock is a complete amplifier with its own chassis and supply, so there is no second channel to share with. That is more power per channel than the XM5 integrated at 60 W, with distortion at half the figure and a fully DC-coupled signal path.
What do I need to drive them?
A preamplifier. The XM7 is the matching one, or the preamplifier output of an XM5 if you already own it. They want 1.6 V RMS for full output into an input impedance above 77 kilohms, so almost any line stage will do the job.
About the Exposure XM9 Mono Power Amplifiers (Pair)

Little Boxes, Enormous Grip: Exposure XM9 Mono Power Amplifiers

Sold as a matched pair, the Exposure XM9 monoblocks prove that serious power doesn't need a serious footprint. Each compact, high-current amplifier delivers a genuine 84 watts into 8 ohms β€” and pushes to 140 watts into 4 ohms β€” with reserves to spare for driving difficult speakers. Designed by Tony Brady on the heritage of Exposure founder John Farlowe, the XM9s carry Exposure's trademark sound: a "tube-like" quality with the impact and bass extension only quality solid-state can deliver. Stereo Magazine found "not many alternatives at this price" for controlling demanding speakers in so small a form.

Speed, Soundstage, Control

Running your speakers as true monoblocks β€” one amplifier per channel, each in its own case β€” pays off in separation, dynamics and grip. A high damping factor (119 at 1 kHz) gives the XM9s iron control over the bass, while vanishingly low distortion (0.001% at 5 W) and a 104 dB signal-to-noise ratio keep the background black. Reviewers described them as "calm, tidy and emphatic" β€” the sound of amplifiers completely in charge.

Flexible, Compact, Built to Last

Both RCA and balanced XLR inputs are on board, with loop-through for easy integration, all inside a solid half-width aluminium case in black or titanium. Pair them with the XM7 preamplifier for a complete Exposure pre/power system that hides in plain sight and plays far bigger than it looks.

Why You'll Love the Exposure XM9

  • True monoblocks, sold as a pair β€” one amp per channel for maximum separation
  • 84 W into 8 ohms, 140 W into 4 ohms β€” compact size, big-amp drive
  • High damping factor (119 @ 1 kHz) β€” iron grip on the bass
  • "Tube-like" Exposure sound β€” warmth with solid-state impact and extension
  • RCA and balanced XLR inputs β€” plus loop-through for flexible systems
  • Hand-built in England β€” black or titanium finish

Frequently Asked Questions

Are the XM9 amplifiers sold individually or as a pair?

As a matched pair β€” one monoblock for each stereo channel. Each has its own power supply and casework for the best channel separation and control.

Will the XM9s drive difficult speakers?

Yes. Despite their compact size they deliver 84 W into 8 ohms and 140 W into 4 ohms with a high damping factor, giving them plenty of current and grip for demanding loads.

What preamplifier should I use with the XM9?

The Exposure XM7 is the ideal partner, completing a compact XM-series pre/power system. Any quality preamplifier with RCA or balanced XLR outputs will work.

Exposure XM9 Technical Specifications

Type Mono power amplifiers (sold as a pair)
Power output 84 W into 8 ohms; 140 W into 4 ohms
Damping factor 119 at 1 kHz
Distortion 0.001% at 5 W
Signal-to-noise ratio 104 dB (at 5 W)
Inputs RCA and balanced XLR, with loop-through
Dimensions (W Γ— H Γ— D) 22 Γ— 9 Γ— 36 cm each
Weight 5 kg each
Finishes Black or titanium
Made in England β€” Exposure Electronics, est. 1974

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